//SCENARIOS.EXE
THEATER I [ 00 00 ]
MY PETITE EQUESTRIAN EXPERIENCE - RATED A
Advertised as a delightful tale of ponies discovering magic and friendship, this is a must-see! For adults that is. The ponies are killed within the first ten minutes, and then the rest of the run time is filled with a celebratory orgy of Roman-esque proportions. There are no mentions of ponies after the initial scene. They are neither seen nor mourned nor heard from. There are only naked, gyrating bodies as far as the eye can see.
If you manage to sit through the horror long enough, you will notice a certain something in between the moaning. Is that your face on one of the protags? Is it a beloved family member or a friend? You will find that spliced between the scenes are cherished and innocent childish memories now being soiled by passionate cries of pleasure. Enjoy the new memory, your poor, sweet summer child. This will only be visible to the viewer himself/herself.
THEATER II [ 0000 ]
LARGE ADVENTURER 7 - RATED B
A touching tale of dealing with loss and more loss. This film is about a giant robot and his pet human that gets eradicated in the Third Robotic Genocide, leaving behind just a human carcass. The giant robot clings to the carcass and cries robotic tears until finally he chucks the carcass into a river full of carcasses and decides to go on a deep quest in search of cheese.
But spliced between this tale of woe, viewers will see images of themselves caught in a romantic memory. A first kiss, perhaps? A first love-making session? A first crush? A desired one will also have their face molded on top of all the carcasses as they flow away. This will only be visible to the viewer himself/herself.
THEATER III [ 0000 ] THE RETALIATORS: ERA OF RADICALON - RATED C
Agent Dick Angry takes it upon himself to assemble a team of miscreant aliens to invade the hell out of "Planet Earth." The aliens include Zorn, an intelligent toaster; Crisis, a blue-skinned beauty that turns purple when she's aroused; Trish, a rogue miniature ficus with a criminal record; and General Cerealia, a handsome, ripped man who beats evil-doers with his laptop and who looks suspiciously like CERES' programmer, Elias.
This adventurous romp will feature the tragic memories of death interweaving with the destruction of the "Planet Earth." Those who attend will see first-hand the memories of their own worlds slowly being demolished before their eyes and all their loved ones screaming in agony. Then it'll loop itself again and again for the last hour of the film. Enjoy! This will only be visible to the viewer himself/herself.
THEATER IV [ 0000 ]
DECEASE HARDER II - RATED D
Jack McJack is a cop who is having none of your shit. In this action film, he will ride around on a velociraptor and go around punching evil-doers and detonating them with land mines. If you want all the violence in the world, this is the film for you. Watch as every second is filled with pointless explosions and every curse word in all the known languages in Cerealia.
Of course, spliced between every action scene will be every embarrassing moment of your life being played out for you and only you. Or is it? Start sweating and looking in every direction as you begin to wonder if everyone else can see that time you tripped and fell on your senpai almost kissing him (sacre bleu D= !)
BONUS - THEATER V [ whyo'clock ]
YARD-DOOR PEOPLE OF QUESTIONABLE MORALS - RATED Z
This is a touching film about tenderness and coming together to overcome obstacles and achieve greatness. The Yard-Door people run into danger when an evil megalord starts polluting the air with negative feelings. The Yard-Door people must band together and save the world through kindness. They will go and help their neighbors get across the street, rake up leaves from their lawns, donate canned food to the poor, and collect toys for children who do not have any.
While this film will draw tears from your eyes, you will see happy memories. The happiest that can be mustered. They will be spliced in with the scenes in the movie, occurring side-by-side with all the smiles and fuzzy feelings leaking off the screens. This will only be visible to the viewer himself/herself.
Also, beware! This film contains the angriest of Theater Cleaning Robots. Dropping anything on the floor will result in a bit of a flogging with a wooden paddle and a robot calling you a dirty slut and claiming that you like it. Yes, BDSM robots will not take your bad behavior. You better bend over and start apologizing for being such a filthy, little theater-goer.
[ Remember to apply proper warnings on threads with trigger-y or inappropriate material and do let a mod know if your thread careens off into maiming or canoodling so we can lock the meme. ]
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But that doesn't actually matter right at the moment.
Because he saw. HE SAW. She turns beet red and if this is a nightmare she'd like to wake up please and thank you.]
Nothing happened!
[If she took the time to think about it, to really look at Hyoubu's expression she might clue in that they're talking about different things, but...well.
Hindsight, right?]
...and even if it did you can't tell anyone, Kyousuke! Otherwise Minamoto will get arrested!
1/
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Well, he'd known all along, hadn't he? Called it from the second he laid eyes on that boy. ]
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done (also i love your kaoru <3)
omg, thank you! Your Hyoubu is great too. I was laughing so hard I nearly cried.
And don't do anything to him, either!
[She's not sure what you have planned, but that smile never bodes well. She plants her hands on her hips.]
I mean it, Kyousuke.
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[ just then, a memory surfaces, one that he has long suppressed: Minamoto, holding Hyoubu's body in his arms, bending down to... ]
...that pervert!
[ it really didn't help that a month or two later, Momotarou brought him one of Patty's sketchbooks and... URGH! ]
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Minamoto's not a pervert!
[Even if they're always teasing him about it. But it's fine when they do it and only then!
One should never look in Patty's sketchbook unless you're prepared. Especially not after an event like that.]
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[ By this time, everyone else has given up on watching a movie with a GIANT HOLE THROUGH THE SCREEN and is filtering through the exits past them. Unfortunately however, this means a surly usher-bot is headed towards them, shining a flashlight at their faces.
He jerks his head up and snarls at it: ]
WHAT?
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I-it was Feather's fault-- [Okay, the flashlight is distracting. Who even shines a flashlight at someone's face? Besides bad cops, of course, but this robot is clearly not a cop!
She's not snarling, but she's not happy either when she turns almost at the same time he does.]
What!?
1/2
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He drops his hand and turns back to Kaoru, bot forgotten. ]
Feather did? How?
[ Meanwhile the usher bot is pointing out the rip in the screen with its flashlight and, in a dull metallic voice, rattling off the (astronomical) price of replacement and demanding immediate payment. ]
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I'm not really sure what was happening, [Because the how and why hadn't been so important at the time] but I think she was playing a prank on Minamoto.
[Kaoru does feel a bit guilty about breaking the screen, but she's unconcerned about all the talk about money and payment in the way only someone who has never had to pay for anything she's broken can be.]
1/2
...a prank.
[ Feather's words haunt him, even now: I think I also had a more personal reason for joining PANDRA.
If something happened to Kiritsubo and his sister... that might leave Minamoto in charge of BABEL. Of course he'd side with the Normals, of course, and strive to contain and control Japan's espers as tensions rose. War would become inevitable.
But if Minamoto and Kaoru became lovers, that future might change. That must have been what Feather—the Children from the future—had been thinking. But it didn't work. Of course it didn't work. The last time he checked the prediction, that boy still — ]
WE DE-MAND IM-ME-DI-ATE PAY-MENT OR YOU WILL BE TERRRRMINATED!
[ He's hardly paying attention when he flicks his finger at the usher-bot, intending to casually rip its head off and fling it against the wall. ]
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Hyoubu just manages to get a barrier up in time to deflect the energy beam, which hits the opposite wall and blows it up, leaving a gaping hole in the side of the building where the screen was.
The robot immediately charges up its weapon again. ]