//SCENARIOS.EXE
THEATER I [ 00 00 ]
MY PETITE EQUESTRIAN EXPERIENCE - RATED A
Advertised as a delightful tale of ponies discovering magic and friendship, this is a must-see! For adults that is. The ponies are killed within the first ten minutes, and then the rest of the run time is filled with a celebratory orgy of Roman-esque proportions. There are no mentions of ponies after the initial scene. They are neither seen nor mourned nor heard from. There are only naked, gyrating bodies as far as the eye can see.
If you manage to sit through the horror long enough, you will notice a certain something in between the moaning. Is that your face on one of the protags? Is it a beloved family member or a friend? You will find that spliced between the scenes are cherished and innocent childish memories now being soiled by passionate cries of pleasure. Enjoy the new memory, your poor, sweet summer child. This will only be visible to the viewer himself/herself.
THEATER II [ 0000 ]
LARGE ADVENTURER 7 - RATED B
A touching tale of dealing with loss and more loss. This film is about a giant robot and his pet human that gets eradicated in the Third Robotic Genocide, leaving behind just a human carcass. The giant robot clings to the carcass and cries robotic tears until finally he chucks the carcass into a river full of carcasses and decides to go on a deep quest in search of cheese.
But spliced between this tale of woe, viewers will see images of themselves caught in a romantic memory. A first kiss, perhaps? A first love-making session? A first crush? A desired one will also have their face molded on top of all the carcasses as they flow away. This will only be visible to the viewer himself/herself.
THEATER III [ 0000 ] THE RETALIATORS: ERA OF RADICALON - RATED C
Agent Dick Angry takes it upon himself to assemble a team of miscreant aliens to invade the hell out of "Planet Earth." The aliens include Zorn, an intelligent toaster; Crisis, a blue-skinned beauty that turns purple when she's aroused; Trish, a rogue miniature ficus with a criminal record; and General Cerealia, a handsome, ripped man who beats evil-doers with his laptop and who looks suspiciously like CERES' programmer, Elias.
This adventurous romp will feature the tragic memories of death interweaving with the destruction of the "Planet Earth." Those who attend will see first-hand the memories of their own worlds slowly being demolished before their eyes and all their loved ones screaming in agony. Then it'll loop itself again and again for the last hour of the film. Enjoy! This will only be visible to the viewer himself/herself.
THEATER IV [ 0000 ]
DECEASE HARDER II - RATED D
Jack McJack is a cop who is having none of your shit. In this action film, he will ride around on a velociraptor and go around punching evil-doers and detonating them with land mines. If you want all the violence in the world, this is the film for you. Watch as every second is filled with pointless explosions and every curse word in all the known languages in Cerealia.
Of course, spliced between every action scene will be every embarrassing moment of your life being played out for you and only you. Or is it? Start sweating and looking in every direction as you begin to wonder if everyone else can see that time you tripped and fell on your senpai almost kissing him (sacre bleu D= !)
BONUS - THEATER V [ whyo'clock ]
YARD-DOOR PEOPLE OF QUESTIONABLE MORALS - RATED Z
This is a touching film about tenderness and coming together to overcome obstacles and achieve greatness. The Yard-Door people run into danger when an evil megalord starts polluting the air with negative feelings. The Yard-Door people must band together and save the world through kindness. They will go and help their neighbors get across the street, rake up leaves from their lawns, donate canned food to the poor, and collect toys for children who do not have any.
While this film will draw tears from your eyes, you will see happy memories. The happiest that can be mustered. They will be spliced in with the scenes in the movie, occurring side-by-side with all the smiles and fuzzy feelings leaking off the screens. This will only be visible to the viewer himself/herself.
Also, beware! This film contains the angriest of Theater Cleaning Robots. Dropping anything on the floor will result in a bit of a flogging with a wooden paddle and a robot calling you a dirty slut and claiming that you like it. Yes, BDSM robots will not take your bad behavior. You better bend over and start apologizing for being such a filthy, little theater-goer.
[ Remember to apply proper warnings on threads with trigger-y or inappropriate material and do let a mod know if your thread careens off into maiming or canoodling so we can lock the meme. ]
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pharos | persona 3
[At first, the movie had been entertaining. Puzzling, certainly, but also amusing. A lot of lights, many grand speeches and dramatic gestures. It was all about leaving a huge impact on whoever was watching and listening to this movie, making them want to either join or fight the people invading earth.
Such a human instinct to fight against what was inevitable.
It made them unique but the attempts at fighting were always feeble at best. Humans wanted to live, to breathe and continue the fight and it was a notion Pharos had slowly come to understand.
But there was no escaping death, no escaping the moment they would all die.
The point was driven across by the pictures mingling with the movie Minato struggling and raising his Evoker again and again, summoning Persona after Persona while he fought against what was inevitable, his friends falling one by one until only Minato was left, bleeding and slowly realizing that he'd failed and then
Pharos wishes he could still feel detached. He wishes he didn't understand. He knows there is nothing he can do to prevent the fall.
His friend will die.
Silently, Pharos slips from the movie seat and pads out, leaving the door open for whoever will stumble out after him.]
theater v
[After the previous movie, Pharos had been prepared for other unusual bouts of scenes of destruction and death. He wasn't quite prepared for what this movie has to offer. Kind things, little things. Listening and helping and laughing with them, picking up this and repairing that.
Would they do it if there was no profit in it for them?
Will they stop once the task has been fulfilled and the negative feelings are gone and then carry on like nothing happened? Like a mother blowing against her child's wound to soothe the pain but not doing anything else.
It isn't until Pharos hear Minato's short replies to the questions he asked long ago that he understands. Minato was kind to him. His first friend, the person he'd been waiting for for a long time. The person who had harbored him and sustained him and sheltered his fragmented self until Pharos had been able to piece all parts of himself back together. Minato's sleepy eyes staring at him as Pharos talks and ponders and smiles.
A precious person. Pharos' only precious person.
...Would the kindness the people displayed in the movie have such a lasting effect on others as Minato has had on Pharos? Thoughtful, Pharos gets up and walks past the BDSM bots without being bothered thanks to
looking like a ten year old kidnot littering or leaving anything else behind.A noise at the room's entrance makes Pharos look back curiously though. Did the bots find a different victim instead?]
theater v
However, it had made a good point. Trash belonged in the trash can.
Saitou Hajime picked up both the mostly empty bucket of popcorn -- and the robot -- and proceeds to put them in the proper trash bins, casually walking past Pharos in the process.]
I believe that is satisfactory.
no subject
Pharos watches him dispose of the robot and the bucket, eyes lingering on the robot for a second before following Hajime out of the theater. There is no reason to linger here and he's always curious about meeting new people.]
So it would seem.
[Another glance towards the robot is followed by Pharos smiling up at Hajime, perhaps a little too widely.]
Was the robot bothering you that much?
iii
He still has leftover popcorn, since he never got to finish eating it. He looks down the popcorn bucket, then glances back up. It's then that he notices the lonely-looking kid... He decides to call him over with a faint gesture. ]
Hey, you. Want some?
no subject
Pharos pads over to Yoon and looks at the popcorn, torn for a moment. He doesn't need to eat. Being able to sustain yourself on your own energy is a useful trick but humans seem to enjoy eating so there must be something to it Pharos doesn't yet understand. But he wants to.]
May I?
no subject
[ That's because he lost his appetite. On normal circumstances, he would've gladly eaten it all. But the movies were pretty bent on bringing out seemingly every kind of emotion from him. He's tired. As if to prove that it is clean, he even grabs a handful and eats it.
Afterwards, he holds out the popcorn bucket towards the small child to take. He picked the cheese flavor... Let's hope that the kid will appreciate the cheesy, buttery goodness of the popcorn. ]
no subject
[Yoon doesn't seem very threatening at all. Then again, neither do most of Minato's friends and, well...
Pharos is glad Yoon is holding the bucket out to him because if Pharos had to hold it in his arms while eating at the same time, it would be a difficult task indeed. His arms long enough to circle around the bucket and to eat at the same time.
Pharos dips a hand into the bucket and examines the popcorn he pulls out. It's small and it smells strongly of cheese and something else and Pharos wonders if this is going to taste like anything at all to him.
He wants it to though.
And it does. Very strongly, in fact, and Pharos looks both confused and intrigued.]
Does all popcorn taste like this?
no subject
[ This is the first time that Yoon tasted popcorn too, so he doesn't think the question is strange at all. ]
There's other flavors such as butter, caramel, sour cream, barbecue, and many others.
v
He'll just nonchalantly pick up whatever the robot was angry about and put it into the trash for it before letting out a yawn. After all that, he'll finally take his leave until he notices Pharos. It takes a while, but-- ]
It has been a while. [ Extremely nostalgic. ]
no subject
To be able to talk to Minato again even if their time remains just as short in the long run.]
How are you?