
The clock strikes twelve. The gong of the grandfather clock in the foyer tolls out the time in slightly unnecessarily obnoxious loud noises. The ambiance of this old mansion demands respect, care, awe --
Okay, no, wait, why are you even in this stupid dusty house?
No reasons are forthcoming, because everyone knows that people just end up in places like this sometimes. That's just how the narrative device works. The hows and the whys don't matter -- all that matters is that you're all here, so you'd better get cracking and start exploring, because it's not like you can leave yet.
Or ever, maybe.
 Good day, sirs and madams. Might I interest you in a nice glass of blood...y mary?
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PHASE I [ 02 15 ] All you see is white. The crash of thunder hits your ears next, punctuated by the piercing pitch of white noise in the background. After a few blinks, your vision comes back to you. Oh good, glad that you’ve joined us in the land of the living. Unlike the nondescript corpse at your feet – it looks like… a butler? Oh dear. You’ve already killed Murder Suspect Number One in most situations. How terribly ironic. After all, who could’ve killed him but you? You might not remember, but there is definitely a murder weapon in your hand. It’s probably a knife or a poisoned glass of wine or- Wait, is that a toaster? A full on toaster? Or maybe it’s a taser. Maybe you bludgeoned this poor guy with an entire encyclopedia. Either way, it looks like your murder weapon is a little unconventional, whether it’s a stranger’s pair of underwear or a hair curler. Are you really supposed to believe you committed a murder with these? (Yes.) That said in the next second the double doors will be opening up. It’s pretty clear you’re not alone. Think quick!
PHASE II [ 06 00 ] Exploring more around the compound, you’ll find plenty of those tall, oil portraits of people hung around the walls. When you start walking, they’re all strangers. However by the time that you feel like you’re wandering around for an hour, two hours, they might start looking a little bit more… familiar? Mom? Is that you? You don’t have time to think about that, though. You were clearly framed! You don't’ have a motive for killing some random NPC – “Or do you?” a portrait will ask. Oh. Holy shit. Well it’d just be rude to leave, right? Whether you stick around for conversation or not, you’ll find that was just the beginning. The portraits are going to start grilling you. Welcome to CERES Central’s Roast of You. What was your motive? Don’t you know you should respect the servants? How would you feel if you were caught like that? Careful turning your back on them though, because if you ignore them for too long, the subjects in the portraits may just reach out and snatch you to join them in their portrait world.
At that point, the only way to get out is to swap places with some other poor, unsuspecting soul wandering around.
PHASE III [ 10 45 ] You know what makes me hungry? Murder. What’s the point of making a mansion this big anyway? Who’s even here? Either way, whether you’re looking for the kitchen to make a fine post-homicide sandwich or just trying to escape, you’ll eventually make it to a stairwell. The most finicky stairwell ever. Is that a trail of bloody footprints leading up the steps? What? No. Stop it, just climb. Or well – don’t climb too quickly now. The staircases apparently have a mind of their own, swapping from one doorway to another. You definitely haven’t seen this before. It would seem that these stairs might even be interested in keeping you in a circle forever, no concern for whether or not you’re hungry or, god forbid, need to use the restroom. However the portraits in the stairwell will provide a little tip: “The stairs are gossips, you know. Why don’t you tell us a little something about yourself? Make it good!” Weirdly enough, sound advice – that is, if you’re interested in shouting out your most embarrassing secrets into the void so a mansion can keep talking shit about you. Oh well. Your alternative is just being a stair golem. There are worse fates.
PHASE IV [ 14 30 ] This hall is oddly quiet. Well, until you hear it – the soft sniffles coming from down the hall, the broken sobs. It sounds like someone’s crying. For one reason or another, your footsteps take you forward – there’s really no point in going back now after all, right? Yet as you continue to walk… walk… walk… the crying becomes louder and louder. More desperate, more despaired. In time, it’s clear that this person is wailing, screaming, “How could this happen?!” Within the span of a breath, all the lights in the hallway go out, leaving you in pitch black. It occurs to you then that you hear a second set of steps. When did you stop walking? A cold chill runs down your spine and you find yourself running then, despite the fact that it feels like this pitch black hallway goes on forever. The other footsteps pick up, remind you that you’re not alone. No, certainly not. Best hope that you find some assistance soon – otherwise it looks like the Butler Association is going to ignite some righteous vigilante justice on your ass.
BONUS [ why o'clock ] You’re in the grand ballroom now, ready to present your case. Armed with a cob pipe (don’t smoke inside, it’s rude), a detective hat, and a single spotlight aimed right at you, you now have to explain how you came to the conclusion about the True Killer that is Obviously Not You. Rather, it’ll just be the character of whoever tags into this prompt – yes, you are suddenly so very sure that they’re the ones who are the ultimate mastermind of this entire game and… you’re just going to have to bullshit the reason why even if you know virtually nothing about them. It’s a dog eat dog world out there, you know? Sorry about that. Should you actually provide enough of a compelling case or they take pity on you, having a villainous breakdown for the sake of the plot, you’ll be awarded with a coupon that’ll give you three free scoops at your local ice cream parlor! (Note: you must buy the first two scoops in order to qualify.) Of course, if you’re not able to nail them down as the killer, you are obviously the killer yourself (citation needed). From there, you’ll be dragged off to face your punishment: for six grueling hours you will be tickled mercilessly.
[ Remember to apply proper warnings on threads with sensitive or inappropriate material and do let a mod know if your thread careens off into maiming or canoodling so we can lock the log. ] |
Chihiro || Spirited Away
PHASE II
PHASE III
phase iii. hi--
abandoning his own staircase, which has decided that this would be a fantastic time to fold itself into the world's largest accordion, he pushes himself off and sails through the air for all of half a second, his ridiculous trench-coat tail flapping behind him like a broken banner before he lands in a semi-crouch on the rolling staircase. semi-, because he has to have a hand free for his sandwich, which he totally didn't scavenge out of a dead guy's kitchen because he was hungry, okay, what kind of an opportunistic idiot do you take him for (no really, he's actually that stupid). at least he doesn't take the opportunity to snack on his sandwich like a douchebag, but he does look down at the little girl with the death grip on the railings with some interest, even as he slowly walks along the rotating staircase in order to keep his balance. ] I'm surprised, though.
[ he doesn't look all that, to be honest. stubble, pair of swords hanging off his sides, twenty-year-old man with an opaque expression on his face that is completely offset by how cosplay-ish his trenchcoat looks, but the interest that he shows in the little girl hanging onto the railings is hardly feigned. ] I didn't think this house would mess with its own ghosts. ... Or maybe it's just trying to keep itself entertained while waiting for more victims? Can houses feel boredom?
i laughed out loud when i read this tag
She was still not fully looking at him when he mentioned how unsurprised he was. Instead, she was hooking a leg over the rail and shifting her deathgrip until she was fairly sure she'd survive a roll like this if necessary. Which is when she looked at her erstwhile companion, stubble, dual swords, complete lack of surprise in his expression, and one sad piece of lettuce leaning away from the sandwich clutched in his hand. Even as she's watching, it falls free, sailing smoothly past to land on the stairs in a sad, green plop.
Then it slid down a stair.
And another.
Caught up in the same rotation, only taking it as aleafly as it could. ]
Don't ghosts &mdash ngh — float?
[ Chihiro had no idea what he was talking about in particular, considering the only victim any of the portraits seemed interested in was the poor unfortunate, unremarkable somebody who'd been dead in a room she'd left behind ages ago. The portrait who'd been rating her earlier had changed out their signs: it now read, ""7.5/10 for Style. Is that a BLT?" ]
Um... how long have you been stuck on the stairs, sir?
[ All asked as she finally swings herself over the side of the railing to where it becomes easier to keep moving and likewise keep balanced while the stairs continue their ill-fated roll. She has an eye out for any other staircase moving in closer. For the moment, none are in what she'd consider jumping range, but that might change.
She has no idea if houses feel boredom. Then again, she has yet to meet a sentient house, but considering what else is out there, and the chattiness of the portraits on the walls, it might be possible. Chihiro was still more determined to get out of the weird hall-stairs than figure out the potential nuances to the reasoning behind this chaos. ]
kalsfjsda your tag too!!
but ultimately, the twenty-year-old man's pouting over his lost lettuce is interrupted by the little girl's quiet confusion. actually, shouldn't he be helping her...? the trained part of kei, otherwise known as the not-stupid part of kei that had been beaten into him to keep him from being a total mess outside of the battlefield, is singing out something that sounds vaguely like 'gotta help the civilian!!', but the less trained, far more ten-year-old part of kei just briefly wonders if civilian-ship included things like small ghost girls. are they in the same category? is he obligated to help a ghost? and that-- is actually a very good question. he blinks, and takes a thoughtful bite of his sandwich. the lettuce crunches noisily as he thinks, or attempts to think, which, in the end, pretty much amounts to the same thing. ]
Hmm... I don't know. Do you? [ though clinging off of a rotating railing, in kei's book, is not strictly floating. he consults his knowledge of horror games that he'd played (read: been forced to play). did that blond chick in that museum game float? what about that camera chick from that photo-taking game? why were all ghosts chicks, anyway? ] Oh, uh, I just got here, actually. It seems fun. What are you trying to do, exactly?
[ climb up? down? ... do ghosts even need to climb stairs? maybe he should go back and ask izumi. just then, his eye catches the flip of a rating sign, just off to the side, and his interested expression quickly morphs into that of unadulterated surprise. even five-year-olds would have a harder time looking more genuinely surprised than kei. ]
Why didn't I get a full score? [ ... his voice drops in suspicion, as he furtively hides his snack behind his back-- ] And how do they know I have a BLT?
lkajdsf then i also laughed at my html fail... and this tag, kei, really, full score?
I'm not a ghost! I'm not a spirit, either! I'm alive, and human, and I have a name. It's Chihiro.
[ Granted, a name alone didn't guarantee anything, but it was still liberating to be able to freely remember and speak that name and feel its relation to her. That it was also a means of introduction is secondary. She wasn't pouting, but she was definitely giving Kei and odd look. ]
I'm trying to get out of here, but the stairs keep moving away from the doors, or the doors won't open.
[ She's not sure what to make of his surprise, or what he starts talking about after. Chihiro is starting to have a sneaking suspicion he might not fully be here, mentally, and while she wouldn't blame anyone for that, it's not all that helpful in the present stair issue. Then again, his balance was fine, so even if his head was halfway in the clouds, he could at least manage where he was walking.
Did he need even more help than she did? She wasn't sure, but it was probably better to stick together with someone who spoke and wasn't nailed to the wall, even if he was a little loopy.
She glanced at the hand behind his back, keeping his sandwich safe.
Or maybe he was just delirious in his hunger. ]
What's your name, sir?
[ She doesn't catch sight of the scorecard holding portrait, let alone when it flips another card that says, "My eyes have eyes. 9.82/10 for Expressing Surprise. 3/10 for Expressing Paranoia." What she does see is another thin, rickety staircase moving at an angle toward them from further down the stairs.
She doesn't pause to do more than calculate if she can make that angle leap or not. Confident that she can at least try, and that she must try, she instead reaches out and makes a scooping motion at Kei, encouraging him to come her way. Or that way. ]
Come on, we've got to go now!
[ If all else fails, she'll dart forward to try and claim a sleeve or a hand or whatever she can reach and pull him diagonally toward the rickety stairs leading up to an equally rickety landing. But those stairs aren't rolling!
They're mostly just rotting, but that's probably fine, it's not like they'll be doing more than leaping down on them (potentially) and hoping not to fall through! ]
he's not known for his powerful ability to think
but instead, for his powerful ability to grill mochi and throw down right
grilling mochi is his defining character trait ehehe
this trait has left me hungry all weekend for no good reason
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not here
also not here
still not here
absolutely not allowed to be here
not here youre seeing things
nope never here
continues to not be here
really doesn't want to be here
phase i!
...And then he's zooming after Chihiro, partially because he's gotta clear up this misunderstanding but mostly because he should probably get out of this room before he's actually accused of murder for real.]
No, no, no! You got it all wrong, you're totally not interrupting—! Like, this guy was just like this when I got here?! Way weird, right!
[Now he just sounds guilty, ah.]
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Not this man, that much is for certain. ]
Um, yeah. Really weird. Is he okay?
[ Her eyes flick between Kashuu and the open doors. Murder is honestly not one of her first thoughts. Accident is, and given her own abrupt arrival at awareness here, it's easy to believe all sorts of accidents could have happened. ]
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[That's a very good question, and one that has him chilling out for like .5 seconds as he glances between Chihiro and the dead... whoever that guy was.]
...I don't think so, no.
[There's no way he can just straight-up say "HE'S DEAD" to a kid who looks this young?! But it's also not really within his general understanding of the world at large to lie about things like that, either. But he will, at least, step so he's mostly obscuring her view of the butler.]
Whoever actually did that might still be around somewhere, though, so we probably shouldn't just stick around here.
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Probably. There's so much she doesn't know right now that latching on to that one sense of a course of action gives her a focus. ]
Then we can't leave him here, can we?
[ She's not oblivious. If she can get a better glimpse of the scene back in that room, "dead" won't be a difficult conclusion to reach. She glances back up at Kashuu. ]
What do you mean by "whoever actually did that?"
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oh my gosh i laughed...
accidental meta: a reckoning /laughs into hands
a true blessing tbh
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i
Ceres needs to seriously revise their sense of humor.
He almost actually cuts himself by squeezing the broken blade tip as the door suddenly opens, and his eyes widen slightly at the sight of the little girl. Children do end up in Cerealia, he knows, but she looks rather out of place there even so.]
Ah, miss- [He moves toward the door as she closes it, shoving it open in an attempt to keep up.] Are you lost, maybe?
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I don't think so, sir. [ Followed by a pause. ] I don't know where I'm supposed to go, so I guess I am.
[ Honest contradictions! ]
Are you lost?
[ 'Cause it sure does seem like he may be too, considering he's carrying a broken... blade? She flexes her hands, shoulders squared so that she was ready to face whatever came next.
Which may very well be blind flight if the stranger gets too close, to be honest, but she hasn't bolted yet. ]
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Well, yes and no. I sort of know where I am, and where I've got to go, but... [He shrugs his thin shoulders, positively swamped in the textile of his uniform - ViViD must've put him in it, because he certainly hadn't been wearing it to bed.] Well, I don't actually know how to get there. So I guess we're both at least a bit lost.
[He doesn't actually know what to do with the sword tip in his hand. There's no way of holding it that isn't uncomfortable, but throwing it away... no, he can't do that. It wouldn't be right, even if it's just a part of the game. So he just keeps it a bit awkwardly at his side, trying not to look threatening. He's not going to try to approach just yet, not while the girl still looks so tense.]
Maybe we could look around together?
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Okay. We can't get any more lost together than alone.
[ They can get familiar with this place, and she has a pretty good memory for navigating around once she's been through. Chihiro glances back down the hall, then to him, taking a step to the side in preparation of heading toward the small door she'd seen earlier. A thought makes her pause, and so she looks to Souji again to ask him a question. ]
You didn't see another door out of that room, did you? There's a small door down this hall, but I didn't see any stairs or anything.
Phase 3
What in the world did Cerealia put him through this time?
Although, when he heard another voice nearby, that's when he started looking around to see where said source of voice was. Of course, Takeru wasn't really holding onto the railing so watch out! Have one Takeru falling behind!]
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Takeru is a flash of colour and limbs she tries to catch hold of; if she succeeds, her hold on the railing will keep them anchored even if they'll both slam against the balustrades hard enough to make an impact, resulting in Chihiro making a succinct statement to summarize the duration: "Ow!"
If she doesn't manage to catch him, she'll try to twist around to see if her erstwhile companion has managed to break their fall and call out, "Are you okay?" ]
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That was until he managed to spot a girl close to them. As she tried to grab a hold onto Takeru, the boy immediately widen his eyes. Well, that wasn't something he was expecting!]
H-Hey, are you okay? You're not hurt are you?
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I'm okay, I was just surprised. Are you hurt?
[ Should she relax in her attempted deathgrip or is he (and his flying potato that she has yet to see as more than a flash of colour) still needing her to anchor them both? ]
Have you been in here for long?
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phase iii!
Hang on!
[He glances around frantically, looking for some way to make his way over - but as if on cue, the staircase he's on starts to turn in her direction, and he leans out as far as he can over the railing to extend his arm.]
Grab my hand!
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She complies, reaching out with one arm as she leans away from the railing. It becomes apparent to her she lacks the reach while maintaining her grip on the railing with her other hand. Relying on being fast enough to make it, Chihiro drops her arm, shuffles her feet as she changes her grip - then leaps away from the rail at Jonathan, her left hand taking hold of his offered hand. Her right hand tries to take hold of his arm as well, but he's so muscular ( in a way she wasn't expecting ) she more ends up monkey clinging to him and hoping he's strong enough he won't be forced into letting her go as gravity works it's calculated magic to try and ground her more efficiently than her parents had ever learned how. ]
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He takes a second to brace himself, but soon he brings his other arm down and hoists her up over the railing. When he sets her gently on solid ground, he crouches down so they're at eye level.]
You aren't hurt, are you?
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I'm not hurt, thank you.
[ He's a big guy; having him at eye level is much kinder on her neck. She appreciates it even as she's glad he was around to help, and strong enough to have not dropped her when she leapt into action. ]
I might have fallen if you weren't there. Are you lost in the staircases too, sir?
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ii.
That isn't your mom!
[ Come to think of it, that's just conjecture. Pidge's own grip loosens as babbling mode begins to activate. ]
I mean, I don't think it is. But if it's her, she's part of the code now. [ C'mon, get it together.
Physically, mentally, both?] Whatever that means.no subject
I know!
[ It's her version of both reassurance that she at least believes that's no version of her mother concerned about her well being, and her statement of recognition of the fact. It's only when he starts to loosen his grip as he begins to babble that she makes a noise of distress and wrenches herself backward, near tearing her shirt as she pulls out of the portrait's grasp.
Only to go slamming backward into Pidge, totally off balance once the portrait was forced to let go. ]
Aah!
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You're not hurt, are you?
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