
The clock strikes twelve. The gong of the grandfather clock in the foyer tolls out the time in slightly unnecessarily obnoxious loud noises. The ambiance of this old mansion demands respect, care, awe --
Okay, no, wait, why are you even in this stupid dusty house?
No reasons are forthcoming, because everyone knows that people just end up in places like this sometimes. That's just how the narrative device works. The hows and the whys don't matter -- all that matters is that you're all here, so you'd better get cracking and start exploring, because it's not like you can leave yet.
Or ever, maybe.
 Good day, sirs and madams. Might I interest you in a nice glass of blood...y mary?
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PHASE I [ 02 15 ] All you see is white. The crash of thunder hits your ears next, punctuated by the piercing pitch of white noise in the background. After a few blinks, your vision comes back to you. Oh good, glad that you’ve joined us in the land of the living. Unlike the nondescript corpse at your feet – it looks like… a butler? Oh dear. You’ve already killed Murder Suspect Number One in most situations. How terribly ironic. After all, who could’ve killed him but you? You might not remember, but there is definitely a murder weapon in your hand. It’s probably a knife or a poisoned glass of wine or- Wait, is that a toaster? A full on toaster? Or maybe it’s a taser. Maybe you bludgeoned this poor guy with an entire encyclopedia. Either way, it looks like your murder weapon is a little unconventional, whether it’s a stranger’s pair of underwear or a hair curler. Are you really supposed to believe you committed a murder with these? (Yes.) That said in the next second the double doors will be opening up. It’s pretty clear you’re not alone. Think quick!
PHASE II [ 06 00 ] Exploring more around the compound, you’ll find plenty of those tall, oil portraits of people hung around the walls. When you start walking, they’re all strangers. However by the time that you feel like you’re wandering around for an hour, two hours, they might start looking a little bit more… familiar? Mom? Is that you? You don’t have time to think about that, though. You were clearly framed! You don't’ have a motive for killing some random NPC – “Or do you?” a portrait will ask. Oh. Holy shit. Well it’d just be rude to leave, right? Whether you stick around for conversation or not, you’ll find that was just the beginning. The portraits are going to start grilling you. Welcome to CERES Central’s Roast of You. What was your motive? Don’t you know you should respect the servants? How would you feel if you were caught like that? Careful turning your back on them though, because if you ignore them for too long, the subjects in the portraits may just reach out and snatch you to join them in their portrait world.
At that point, the only way to get out is to swap places with some other poor, unsuspecting soul wandering around.
PHASE III [ 10 45 ] You know what makes me hungry? Murder. What’s the point of making a mansion this big anyway? Who’s even here? Either way, whether you’re looking for the kitchen to make a fine post-homicide sandwich or just trying to escape, you’ll eventually make it to a stairwell. The most finicky stairwell ever. Is that a trail of bloody footprints leading up the steps? What? No. Stop it, just climb. Or well – don’t climb too quickly now. The staircases apparently have a mind of their own, swapping from one doorway to another. You definitely haven’t seen this before. It would seem that these stairs might even be interested in keeping you in a circle forever, no concern for whether or not you’re hungry or, god forbid, need to use the restroom. However the portraits in the stairwell will provide a little tip: “The stairs are gossips, you know. Why don’t you tell us a little something about yourself? Make it good!” Weirdly enough, sound advice – that is, if you’re interested in shouting out your most embarrassing secrets into the void so a mansion can keep talking shit about you. Oh well. Your alternative is just being a stair golem. There are worse fates.
PHASE IV [ 14 30 ] This hall is oddly quiet. Well, until you hear it – the soft sniffles coming from down the hall, the broken sobs. It sounds like someone’s crying. For one reason or another, your footsteps take you forward – there’s really no point in going back now after all, right? Yet as you continue to walk… walk… walk… the crying becomes louder and louder. More desperate, more despaired. In time, it’s clear that this person is wailing, screaming, “How could this happen?!” Within the span of a breath, all the lights in the hallway go out, leaving you in pitch black. It occurs to you then that you hear a second set of steps. When did you stop walking? A cold chill runs down your spine and you find yourself running then, despite the fact that it feels like this pitch black hallway goes on forever. The other footsteps pick up, remind you that you’re not alone. No, certainly not. Best hope that you find some assistance soon – otherwise it looks like the Butler Association is going to ignite some righteous vigilante justice on your ass.
BONUS [ why o'clock ] You’re in the grand ballroom now, ready to present your case. Armed with a cob pipe (don’t smoke inside, it’s rude), a detective hat, and a single spotlight aimed right at you, you now have to explain how you came to the conclusion about the True Killer that is Obviously Not You. Rather, it’ll just be the character of whoever tags into this prompt – yes, you are suddenly so very sure that they’re the ones who are the ultimate mastermind of this entire game and… you’re just going to have to bullshit the reason why even if you know virtually nothing about them. It’s a dog eat dog world out there, you know? Sorry about that. Should you actually provide enough of a compelling case or they take pity on you, having a villainous breakdown for the sake of the plot, you’ll be awarded with a coupon that’ll give you three free scoops at your local ice cream parlor! (Note: you must buy the first two scoops in order to qualify.) Of course, if you’re not able to nail them down as the killer, you are obviously the killer yourself (citation needed). From there, you’ll be dragged off to face your punishment: for six grueling hours you will be tickled mercilessly.
[ Remember to apply proper warnings on threads with sensitive or inappropriate material and do let a mod know if your thread careens off into maiming or canoodling so we can lock the log. ] |
jonathan joestar | jojo's bizarre adventure
[Okay, there are several things wrong with this picture.
One can forgive Jonathan for some level of reasonable confusion, after being pulled into these circumstances so suddenly, but he can't decide whether he should be more distressed at the current moment, or outright perplexed. His initial reaction to the body laying in a heap at his feet is panic and intense concern, crouching down and wondering where on Earth he should feel for a pulse. He's immediately worried that his memory of the past few moments is uncharacteristically blurry, but as he comes to realize he's holding a murder weapon in his palm, the situation only becomes further complicated.]
What is the meaning of this?!
[It's an egg.
He's holding an egg. An unboiled, perfectly intact egg, at that, aside from a blood splatter staining the surface. He may be an archaeology major, but he's been educated enough in physics and the sciences at large to know this situation is just about impossible. And yet...
He's about to further voice how perplexed he is when the doors open up behind him, and he spins around, still holding the bloodied egg and failing to realize this may look somewhat incriminating.]
Is someone there?
phase iv;
[To say that Jonathan is on edge would be a gross understatement. Every step he takes is made with great caution, glancing around the empty hallway for any kindred spirit who isn't about to pronounce him a vagrant or a murderer. His own quiet, rhythmic breathing punctuates the near-silence, and for a moment he thinks he's alone, until--]
S-Someone is crying!
[His footsteps immediately gain purpose as he bounds down the corridor, looking for the source of the noise. In this moment, he has little concern for himself. Whoever else is in this mansion is almost certainly frightened, could be hurt, and he's not about to let any other murders take place.]
Whoever you are, stay safe! I'll be there as soon as I can!
[Then there's a wail, the lights go dark, and Jonathan realizes that he is certainly not alone.
It's at this moment that he's grateful for his years playing rugby in university because his legs are moving underneath him like pistons, and he has a feeling it will be a while before he stops running.]
bonus;
At last, I have uncovered your heinous plot. I can scarcely believe this, and yet...
[The spotlight snaps to Jonathan as he takes the pipe between his fingers. The detective outfit is really quite befitting of him, actually. He paces around the ballroom with his back to you, seeming tense yet conflicted, before turning around with a flourish, his glare burning holes through whoever is unfortunate enough to be his chief suspect.]
All this time, you must have been working against us!
Phase 1
Togo looks from Jonathan to the body, then back to the murder weapon.]
...Is that an egg?
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I...suppose so?
[He glances down at the egg again, turning it over in his hand.]
To be honest, I have very little idea what situation I've found myself in.
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I don't suppose you know some kind of ancient martial art that could use an egg to kill a man without cracking the shell?
[Let's be real, though, Hamon could probably do it somehow.]
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b-bonus....
There's probably some irony here somewhere, the former detective being shaken down by a new detective and all, but Yusuke's too peeved to really make note of it.]
Like hell I was! I don't have the friggin' brain capacity for any evil plots!
[... way harsh, Yusuke, but he's not about to pretend otherwise.]
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[Jonathan hesitates. Of all the rebuttals the young man could have thrown out there, this was just about the last one he expected. For someone who he's certain played a major role in all of this, it's...an unusually humble statement, actually? Not to mention the fact that he looks like just a teenage boy.
For a moment, it almost seems like Jonathan's going to believe him entirely and apologize, but then he remembers what happened the last time he hesitated, the last time he let his guard down around someone he knew to be sadistic and cruel, and while he's not nearly so judgmental as to compare Yusuke to that person, he knows in his heart that he cannot make the same mistake again. He may not know anyone in this strange locale, but it's his duty to protect them, no matter what.
His expression hardens and he leans in further. The spotlight somehow seems brighter.]
I have seen and heard enough to know where I stand. If I have to, I'll explain everything from the very beginning.
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But as Jonathan then moves in closer, face stern, Yusuke realizes that hoping for a normal resolution in this place was just plain dumb.
He leans back, trying to put some distance between him and this giant of a man, but as Jonathan makes his... threat? It sure seemed like a threat where he was sitting-- Yusuke's face drops in an expression of disbelief.]
No! Jeez, it's bad enough I'm stuck here, but you don't gotta make it worse by going into exposition mode on me!
I'm telling you, I got nothing to do with this! Track down whatever assholes made this place, they got more to answer for than I do!
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i'm sorry for my weird tag schedule.......
shhhhh it's okay mine is all over the place too
rip my sleep patterns they've been lost to canon review
who needs sleep when you can look at buff men with superpowers eeeyyy
damn right! (1/2)
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phase 1
[He doesn't have the time to think about how a man can kill someone with an egg. It could be a prop, or some sort of distraction meant to fool him, but he's a Real Detective, and like hell he's going to let someone get away with murder right in front of his eyes!
Out of nowhere, he slaps handcuffs onto Jonathan and his own wrists so they're stuck together. Flawless plan!! With his free hand, he points a gun at him. Where did he get these?? Is his gun even loaded?? Who knows.]
You're under arrest!
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W-What are you...?!
[Jonathan recoils as far away from the gun as he can manage while he's handcuffed to this stranger. To be fair, he's built like a truck - it isn't a vast leap of logic to say he could probably injure someone with an egg, but that doesn't change the fact that he's supremely out of his depth here.]
Wait! Please, sir, this isn't at all what it looks like!
[You are not helping your case.]
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Then you won't mind telling me what happened here!
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bonus...!!
Being accused of murder is kind of a big thing, though...?! Especially when he's gone out of his way to not stand out here. There's an irony to what this man says, too, that doesn't go over his head.]
What proof do you have?
[It didn't matter to him what anyone thought, but what would happen if he was found guilty? He didn't really want to find out.]
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Your clothing...
It was clearly torn in some kind of struggle!
[I am so sorry.]
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Normally, he might not have protested at all—under different circumstances, it just wouldn't have been worth it—but he didn't want to get into more trouble, either, so he attempts to offer an explanation:]
...it might seem that way from where you're standing. But if you took a closer look, you'd find that my clothes were made to look like this.
[...
Somehow, even though that's true, it doesn't feel like an especially convincing argument. His words ask more questions than they answer.]
1/2
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Phase I
What-?! ...What's going on here?! [Is that an EGG?]
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[Jonathan frantically glances from the body back to Phoenix. As if his day couldn't get any worse, or more bizarre...
Well, that suit.]
Please, someone needs to go and alert the police!
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I don't seem to have any method of communication on me. [My cerevice must be back at the apartment... with my suit.] And I doubt we'd be able to reach any sort of police that can be helpful to us.
...We'll have to do what we can on our own for now.
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Bonus
Oh how in the world could this have happened to her?!]
What? Now that's the most ridiculous thing I ever heard of and trust me! I do know ridiculousness!
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[Ironically, if you were looking to make Jonathan feel as guilty as possible, you've done it. He has to draw a line here. That doesn't mean he's changed his mind with regards to who's responsible, but...
Well, it's difficult to look someone who's barely a teenager in the eyes and accuse them of such a malicious crime.]
You're just a kid.
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For a moment, Mabel just continued to stare at the older man having no idea what to say back. As she wore a pout on her face, just how in the world could he think she could kill someone?]
And not just a kid! I'm 13 so I'm practically a teenager! So there's no way a kid like me could ever kill anyone!
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phase i!!!
They had sounded normal hurried steps before but now that the lights out, they sounded as if they were out for an attack, perhaps? Giorno saw himself running himself but then figured perhaps that's what they wanted from him. From..both of them. It was most likely another person—not someone who was out for him—on the other side.
Well, even if it isn't, this is a gamble that Giorno's willing to make. ]
Wait. [ He calls out into the darkness and actually hopes that it responds to him. ]
I'm not an enemy.
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He's had a rough day, alright.]
Hello?
[His breathing intensifies for a moment before the Ripple's glow manifests around him, a beacon in the dark.]
I don't know where you are, but I don't want to hurt you. Are you lost?
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I can see some sort of light—if that is you—I shall approach it slowly.
[ With that, he'll be true to his word and slowly approach the light keeping his head low and his body language as completely neutral as possible. He didn't want to come off as accidentally aggressive in an already tense situation. ]
My name is Giorno Giovanna and I will not harm you.
[ Unless you're someone who attacks him or someone who proves to deserve to be on the receiving end of his punishment. But given how this person has reacted then he's honestly doubting it. ]
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iv - Hello there very different me~
He hears the crying, but louder than that is the heavy thud thud thud of feet sprinting toward him through the darkness. Shit. That did not sound good. Before he can do much more than start spinning his wheels, there's a dull impact that feels a like he's been hit by a miniature freight train, and his chair crashes to the floor, taking him with it. The pained groan he lets out is quiet, but he immediately regrets it. What if the thing has heard him?]
HI VERY DIFFERENT ME
The miniature freight train in question immediately knows he fucked up when he feels himself hit the weight and frame of what must be a person in the darkness - but the chair complicates matters substantially, and he finds himself stumbling over it and nearly losing his balance. Compared to Johnny, he's relatively unaffected by the impact after the initial moment of chaos, but from how horrified he sounds, you wouldn't know it.]
I'm so sorry! [He sputters out, trying to feel his way around in the darkness for whoever he hit.] Did I hurt you?
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Not being able to see much of anything in the dark doesn't help any either. It's a moment or two before he can feel the guy bump into his chair, jostling him again. His reply comes out muffled and just a little pained.]
Why the hell were you running like that?
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